Sydney's cinema-loving residents couldn't be happier now that the state's lockdown has come to an end - heralding the arrival of the 68th Sydney Film Festival!
With 233 films from 69 countries - including 111 feature films, 50 documentaries and 72 shorts - how to select which to watch in the festival's 12-day run?
The SWITCH team has banded together to solve the problem for you! We've gathered reviews of SFF's biggest and best offerings - so peruse them before you hit the festival - and make sure you check back as we add more!
Visually arresting but narratively vegetative, 'Gaia' is an eco-horror flick that never takes root.
This film adaptation delivers barely a whimper. It doesn't serve the material, it doesn't serve Ben Platt, doesn't serve Evan Hansen and, most of all, doesn't serve its audience.
It holds all the right cards, setting it apart. Funny without belittling, sad without being tragic, and relatable without pitting, this is a rewarding film that will leave audiences smiling.
Whether or not you completely buy into Zola's story, it's impossible not to get drawn into the frenetic and seductive storytelling. This film marks an exciting new era of viral storytelling.
Few films can manage to make me alternate between feeling numb and awestruck. Everything is present for something dynamic, but we're only granted glimpses of that potential.
A conflicting experience, one that pulls violently at its audience's heartstrings until they are sore, but never considers or critiques the full scope of America's inconsistent immigration policies.
Prano Bailey-Bond's palpable love of horror films - particularly the grittier nasties of decades past - allows her to knock her debut film out of the park, establishing a striking and unsettling tone.
An animalistic passion runs through every fibre of this remarkable film, with its desperate longing and its unexpected eroticism. Jane Campion has delivered one of the finest films of the year.
Tammy Faye was larger than life, and in the wrong hands, she could have been either the punching bag or a joke. However, director Michael Showalter and screenwriter Abe Sylvia understand who she was.
'Sesame Street' will always be culturally relevant - but because of that, a single documentary cannot cover its grandeur, but it's a good look at the very beginning of a groundbreaking TV show
A welcome addition to the fantasy genre, and a nifty showcase for an underused but beautiful animation style.
While it doesn't necessarily hit all its marks, it's still an engrossing, sexy, satirical thriller that is well worth the ticket, even if at the beginning you thought you bought the wrong one.
It does paint itself into a little bit of a corner due to its formulaic script, but its more-than-charming cast keeps this from being a total miss.
You can tell the cast and crew had fun, and it's a celebration for representation, but unfortunately, that party doesn't translate to the script or the film's musical elements.
This story is beyond extraordinary. We see these hobbyist cave divers command the military and powerful leaders as they put their experience and expertise to the test.
It's the perfect blend of visuals and story, with a jaw-dropping soundscape. See it on the biggest screen with the best sound, and get immersed in the jaw-dropping world of Arrakis.
One of the best sports biopics so far this century. Though the focus drifts, it's an outright emotional joy to watch, making this one of 2021's most jubilant films.
This is a powerful, nuanced movie. When you buy your ticket and take your seat, you are about to undergo an experience. That is a pretty special reputation to garner.
A funny, thoughtful, incisive, overwhelming and frequently pornographic portrait of a fractured country. Difficult to describe, but not difficult to recommend.
Bamboozled by all these stories, characters, and comprehending its bigger picture, it seems that Wes Anderson has made this one a little too highbrow.