The film doesn’t feel dated in the way that a film released 30 years ago might - which speaks to not only to how enjoyable it is, but to how integral it is to making sense of friendship and love.
15 years after its release, its impact on the romance genre is undeniable. It managed to become a model and the antithesis for romantic dramas that followed, and a film whose success is to be envied.
The 'Toy Story' trilogy is one of the great works of American cinema. It's perfect, not just for its unbroken quality, but for the joy and the gift it gives us.
It's a modern classic, one of those rare gems where everything falls so perfectly into place and only gets better and better every time you see it. It might even be a masterpiece.
It's an absolute delight - it brews that intoxicating mix of first-rate entertainment with a witty and moving story, and Melissa McCarthy is simply exhilarating as Lee.
On the surface, it's nothing more than a haunted house story set on a space ship, but B-movie concept is elevated by Ridley Scott’s classical hand, approaching the film like gothic horror.
Its set pieces are impeccable, it looks remarkable and it totally leans into its ridiculous operatics, giving you permission to laugh with it.
It has so much heart, such a tremendous sense of fun and so much love in it. It comes at a time where it feels most needed, just like its titular character, a breath of optimism during dark times.
These films are driven by rich characters, sharp narratives and fascinating questions of what constitutes right and wrong and what makes someone a good man.
Following the film's Academy Award win for Best Animated Feature, SWITCH chatted to senior animator Eddie Chew about what it was like on working on such a game-changer in the superhero genre.
It may be the one of the most overwhelming works of science fiction of the past decade, starring stunning-as-always Natalie Portman and directed with startling clarity of vision by Alex Garland.
‘Four Realms’ suffers first and foremost from a painfully convoluted plot, one that requires its screenplay to spend most of its time explaining what's going on with dull exposition.
This is one of those eternal films, one that will always have an audience, and justifiably so. From the moment it begins, you know it can’t be anything other than a classic.
This is a film fashioned with the sharpest of edges, a crisp piece of genre storytelling where the subtext enriches rather than overcomes it.
‘El Royale’ really was one of the unexpected gems of 2018, and I suspect it’s a film we’re going to be talking about for many, many years to come.