Music ∷ Sam Porter
Show Artwork ∷ Nikolaos Pirounakis
Episode Artwork ∷ Lily Meek
For our second episode, we’re continuing with three of the most important Silly Symphonies, significant for their commercial and critical success, and their groundbreaking technological achievements.
'Flowers and Trees' was the 29th Silly Symphony, but was also the first commercially-released film produced in full-colour, three-strip Technicolor. It was originally developed as a black-and-white short, but when Disney was approached by Herbert Kalmus, the inventor of Technicolor, to test out the three-strip colour process with animation, he decided to have the film reshot.
The short was directed by Burt Gillett, who directed 15 of the Silly Symphonies and won two Oscars. It went wildly over-budget after the transition to colour and threatened to ruin the studio, but was an enormous success and afterwards, all Silly Symphonies were produced in colour (though it would be many years before the other Disney shorts would also be in colour). It also received the inaugural award for Best Short Subject (Cartoon) at the 1932 Academy Awards.
Available on Disney+, on the two-disc Blu-ray Diamond Edition of 'Snow White and the Seven Dwarfs', and the very rare DVD release of Walt Disney Treasures: Silly Symphonies (2001).
'Three Little Pigs' was the 36th Silly Symphony short, and also directed by Burt Gillett, for which he earned his second Oscar. It was released at the height of the Great Depression and was a huge financial and cultural success. Its title song, 'Who’s Afraid of the Big Bad Wolf?', composed by Frank Churchill (who would compose the music for many of the first feature-length animated films) was a hit single and became an unexpected anthem during the Depression. It also garnered admiration and attention for its well-developed plot and characters, and led to the formation of the story department, which would become integral to the animation process.
- Released at the height of the Great Depression, making $250,000 off a reported $22,000 budget.
- Winner: Best Short Subject (Cartoon), Academy Awards, 1934.
- A number of sequels were produced, but none were as successful. There was a seven-month story run in the Silly Symphony comic in 1936.
- Entered into the U.S. National Film Registry in 2007.
Original ‘Jewish Peddler’ animation vs ‘Fuller Brush Man’ animation © Disney.
In years to come, the Jewish Peddler moment would be used in arguments that Disney was anti-Semitic, though many of his staff of Jewish backgrounds refuted this claim. The PAL release of the Walt Disney Treasures: Silly Symphony compilation retains the original Jewish Peddler animation.
Available on Disney+ and the very rare DVD release of Walt Disney Treasures: Silly Symphonies (2001).
The Oscar-winning short 'The Old Mill' was the 68th Silly Symphony, released in 1937, and was directed by Wilfred Jackson, who would go on as a sequence director on the early feature films. Its purpose was to test and demonstrate the newly-developed multiplane camera process, a groundbreaking tool that changed the texture and visual scope of animation and would be used to great effect in 'Snow White and the Seven Dwarfs'. Rather than risking the technology not working in the ambitious feature, Disney used the short to see if the process would have the effect he desired.
- Released a month before Snow White and the Seven Dwarfs (1937).
- First Silly Symphony distributed by R.K.O. Radio Pictures, and to use a new Silly Symphony logo and titles design.
- Winner: Best Short Subject (Cartoon), Academy Awards, 1937.
- Incorporates realistic depictions of animal behaviour, complex lighting and colour effects, depictions of wind, rain, lightning, ripples, splashes and reflections, three-dimensional rotation of detailed objects, and the use of timing to produce specific dramatic and emotional effects.
- Hayao Miyazaki has referred to it as his favourite Disney film.
Available on Disney+, on the Blu-ray Diamond Editions of 'Snow White and the Seven Dwarfs' and 'Bambi', and the very rare DVD release of Walt Disney Treasures: Silly Symphonies (2001).
An early version of the process was used in The Adventures of Prince Achmed by director Lotte Reiniger in 1926, and later developed further by Ub Iwerks for Disney in 1933. The process first tested in 'The Old Mill' was developed by William Garity, and used seven layers of artwork painted in oil on glass shot by a vertical and moveable camera. 'The Little Mermaid' (1989) was the last Disney film to use the process.
- Wikipedia on Flowers and Trees, Three Little Pigs, The Old Mill and Multiplane camera
- The Disney Studio Story, Richard Hollis and Brian Sibley, 1988
- Walt Disney Treasures: Silly Symphonies, Disney DVD
- American Experience: Walt Disney, dir. Sarah Colt, PBS, 2015
- Disney Animation: The Illusion of Life (Popular Edition), Frank Thomas and Ollie Johnston, 1984