Win one of seven double passes to see 'One Life' in cinemas.

Win one of five copies of 'Creepshow' Season 4 on Blu-ray.

The joy of 'The Boy and The Heron' remains clear: Miyazaki's unbridled human creativity draws from his personal decades of life and is put to screen by the hands of the animators themselves, frame by frame.

'Dicks: The Musical' lives up to its title, but that means this isn't for everyone. It's crude, it's unapologetically gross and insane. It's a full-out musical comedy that knows what it is and just goes with it.

Splicing together shaky phone footage, hushed phone calls and more, Madeleine Gavin presents a harrowing and suspenseful documentary on escaping North Korea.

It has more of a focus on the music and comedy than an overall message, but still offers another vibrant holiday adventure loaded with fun moments and great music.

Independent Australian and NZ distributor Umbrella Entertainment has launched a new streaming service, dubbed Brollie, specialising in Australian film and TV content. Check out the SWITCH reviews available now available for free.

'Faraway Downs' removes the background noise and reinvents the film 'Australia' for the better. It's a stronger package and I can't wait to experience the rest of it through this new lens.

A worthy addition to the canon of great Australian films questioning the idea we have of who we are.

For all the memorable moments, 'Thanksgiving' feels amorphous, toothless, unsure of itself, unwilling to commit one way or the other.

It's a competent prequel that offers many franchise-great moments, and legitimately adds to the overall experience, but it's one that isn't without flaws.

The best thing about the weird beast that is 'Grindhouse' is its refusal to play it safe, to push its tropes to its limits and to demand that a standard of quality be maintained. In a time now where nostalgia is an easy way to a quick buck and a lasting legacy is the last thing on anyone's mind, 'Grindhouse' feels all the more radical.

This is a miracle, maybe even a masterpiece, a statement on love to last the ages, perhaps the best film of the year.

It's a phantasmagorical marvel, a film that literally squeals with delight at every ridiculous detail and revels in the power of discovery. Its brain may be unhinged, but the heart of 'Poor Things' is mighty.

Garth Davis recently concluded an Australian Q&A tour of 'Foe' before it releases in cinemas nationwide this week. Connor had the chance to speak with him about writing the screenplay with the book's author, why the shared Irish heritage of his stars made for better chemistry, and whether there is a place for artificial intelligence in the film industry.

All the pieces are certainly there to make it work - a terrific cast, a talented creative team and an intriguing central premise - but the whole thing seems to be beyond Garth Davis' skills to bring it all together as a cohesive whole.

For fans of Hollywood history, this is a wonderful watch, but for those interested in the history and legacy of queer history, I'd say it's a necessary one.