Even if you're a die-hard Guy Ritchie or Jason Statham fan, they have done so much better together. It's truly just another passable, forgettable crime film.

The film genuinely has no idea if it wants to be a homage, a wink, a parallel, or complete coincidence. Yet the strangest part is that it manages to convince a really stellar cast to take part.

You expect a dusty old object, lofty in its legacy, but once the dust was wiped away, it's full of staggering dynamism and power. 'Citizen Kane' is one of the greatest films of all time.

A unique and electric flurry of anger, propelled by unconventionally centred dance routines and a knockout lead performance. 

Kelly Reichardt points to an alternate reality where it's not the muscle of capitalism that conquers, but rather the sweet companionship and commitment to fellowship, not the greed of self-interest.

The fantastical atmosphere of 'Amélie' holds a special place in viewers hearts all over the world, with its distinctive tones being eternally memorable. With 'Soul' now trying to teach similar and valuable lessons, we have no excuse not to open our eyes and appreciate life's little gems.

It's hyper-violent - something you would expect from what was basically the first very violent video game - and it doesn't hold back on the gore. It's camp fun that lives up to the video game.

Andra Day deserves a better opportunity to showcase both her acting and singing talent, and Billie Holiday deserves a biopic far less by-the-numbers than this.

This is Mario Casas film, and the way he carries himself throughout is truly remarkable. These great thrillers are rare, and with a friendly runtime of 90 minutes, don't find an excuse to miss it.

A patient portrait of every couple's worst nightmare. It serves as a reminder to hold the ones you love tight, in an experience designed to make your heart swell before shattering it completely.

Yet another victim of the pandemic-mandated cinema-to-VOD shuffle, it's unfortunate that this film won't get a chance to shine on the big screen in the way few non-franchise films get to any more.

The depth of information is incredible; interweaving the key events from the reporters, survivors and politicians. We view the scandal as it unfolds, from a cold and uncompromising viewpoint.

The spirit of the old cartoons is nowhere to be seen here. There's enough to entertain families, but for those looking to revisit some old favourites, it's best to look elsewhere.

While it doesn't quite nail the genre, it's still a wild and crazy escapist romp that'll leave any action fan happy. We're here to eat popcorn and watch someone else kick arse! And 'Nobody' delivers.

It's not a black-and-white narrative with a good guy, a bad guy, and a clear-cut scheme. It's a raw yet rich exploration of the messiness of human relationships, their beauty and depravity.

This amusing story of Russian dubbing stars may seem ultra-specific, but it clearly has a universal theme for all to appreciate and enjoy, and presents the idea in an amusing and heartfelt way.

It's a rare pleasure to watch a film like Regina King's 'One Night in Miami' that is willing to leave big questions about four larger-than-life men up in the air instead of trying to answer them.

It isn't so much a movie as it is a play with a few more options; a showcase for actors rather than a cinematic experience. But the play it adapts is very good, with messages that are still relevant.

A delicate, powerful and poignant film. It's a reminder that the innocence and acceptance children have is always a ray of hope against any intolerance and bigotry they may be born into.

Michelle Pfeiffer's tremendous central performance, full of camp and acid and sadness, would be enough of a reason to see this, but it's all the more rewarding for how complete an experience it is.