Win one of five copies of 'Creepshow' Season 4 on Blu-ray.

The joy of 'The Boy and The Heron' remains clear: Miyazaki's unbridled human creativity draws from his personal decades of life and is put to screen by the hands of the animators themselves, frame by frame.

'Dicks: The Musical' lives up to its title, but that means this isn't for everyone. It's crude, it's unapologetically gross and insane. It's a full-out musical comedy that knows what it is and just goes with it.

Splicing together shaky phone footage, hushed phone calls and more, Madeleine Gavin presents a harrowing and suspenseful documentary on escaping North Korea.

A film that should be primed for classic status, but never truly earns it. Perhaps the perplexing praise the film has received both critically and commercially is a result of a barren desert of any other teen comedies, and 'Bottoms' appears as the much-needed body of water nearby.

Independent Australian and NZ distributor Umbrella Entertainment has launched a new streaming service, dubbed Brollie, specialising in Australian film and TV content. Check out the SWITCH reviews available now available for free.

'Faraway Downs' removes the background noise and reinvents the film 'Australia' for the better. It's a stronger package and I can't wait to experience the rest of it through this new lens.

A sweeping, sprawling mess of a film, like a table after an enormous feast. There's a bunch of bits everywhere and you know the whole meal would probably have been more satisfying, but you can't deny how tasty all the leftovers are. How grateful we are that destiny has delivered them to us.

For all the memorable moments, 'Thanksgiving' feels amorphous, toothless, unsure of itself, unwilling to commit one way or the other.

It's a competent prequel that offers many franchise-great moments, and legitimately adds to the overall experience, but it's one that isn't without flaws.

The best thing about the weird beast that is 'Grindhouse' is its refusal to play it safe, to push its tropes to its limits and to demand that a standard of quality be maintained. In a time now where nostalgia is an easy way to a quick buck and a lasting legacy is the last thing on anyone's mind, 'Grindhouse' feels all the more radical.

This is a miracle, maybe even a masterpiece, a statement on love to last the ages, perhaps the best film of the year.

It may take some uncomfortable turns and the trailer does a great job of giving a taste of what is to be expected. It's a twisted dark comedy that may not be from everyone but if you are on board, it's a delightfully tangled trip to Saltburn.

Garth Davis recently concluded an Australian Q&A tour of 'Foe' before it releases in cinemas nationwide this week. Connor had the chance to speak with him about writing the screenplay with the book's author, why the shared Irish heritage of his stars made for better chemistry, and whether there is a place for artificial intelligence in the film industry.

All the pieces are certainly there to make it work - a terrific cast, a talented creative team and an intriguing central premise - but the whole thing seems to be beyond Garth Davis' skills to bring it all together as a cohesive whole.

A deliciously banal, outrageously pedantic slice of preposterous pulp, so meticulously constructed that it transcends to the ridiculous.

'The Wiggles' are Australia's greatest performers and, at the end of the day, that is what the documentary captures: a beautiful snapshot of four guys in coloured skivvies.