This is Sebastián Lelio at his best and Julianne Moore at her absolute best, delivering one of the finest performances of her career and one of the best performances of the year.

Transporting us back to 1985, the film may tackle sexuality and AIDS, but the ending is quite a beautiful message of hope for the future of the community. It’s a great film thanks to its performances.

Win one of five copies of the 'Alien' 40th anniversary edition on 4K.

Win one of five copies of 'Can You Ever Forgive Me?'.

Win one of five double passes to see 'Long Shot' in cinemas.

Win one of five copies of 'The Kid Who Would Be King'.

On the surface, it's nothing more than a haunted house story set on a space ship, but B-movie concept is elevated by Ridley Scott’s classical hand, approaching the film like gothic horror.

Its set pieces are impeccable, it looks remarkable and it totally leans into its ridiculous operatics, giving you permission to laugh with it.

A delicate exploration of sexuality, ageing, class, and privilege.

A scrupulously accurate movie about the Peterloo Massacre, steeped in background detail, with a relevance that still echoes today.

This is a nice safe horror movie. It isn’t painful to sit through, nor is it game-changing, but you'll find it a fun sit, with some creative scares and decent acting.

It has so much heart, such a tremendous sense of fun and so much love in it. It comes at a time where it feels most needed, just like its titular character, a breath of optimism during dark times.