This year's Sydney Film Festival is an unprecedented event - proceeding virtually, there's a smattering of films available now at www.sff.org.au to take in at your own leisure.
As a spinoff, Festival Director Nashen Moodley has selected 40 of his favourite SFF features to stream for free on SBS On Demand. Check out our reviews below for the films showcased there from now until the 10th July 2020.
From the outset - even just the first few seconds - we know ‘Strangerland’ not going to be a fun film, or entertaining.
This is a thrilling, strangely magical and deeply moving portrait of a trans woman defining herself within a tragedy, a family and a society that does not accomodate for her.
Taking place within the Muslim community, 'Ali'a Wedding' is significant for a local film, presenting audiences with a slice of Australian life that many will be unfamiliar with (or even fearful of).
This is an exquisite film building towards a shattering yet understated climax. Everything about it feels personal and considered, and executed with every detail calibrated perfectly.
We're drawn into one woman's first world problems, where life is hard but "life" is even harder. 'Frances Ha' is a film that will definitely put Greta Gerwig on the map.
Simultaneously haunting and yet overflowing with hope, this is a beautiful film, telling a story of a daughter and her father that speaks truths.
While the story is harrowing at times, it’s also inspiring and it leads to some serious thought provocation.
'My Life as Zucchini' never sacrifices what's true for what's trite and easier to sell. This truly is animation as art.
The film was banned in its home country of Kenya, where homosexuality is a criminal offence that can result in a lengthy prison sentence. It just makes 'Rafiki' feel like even more of a triumph.
It’s a particularly twisted film, growing from a defenceless wolf cub into a vicious, vengeant creature. Back an animal in a corner, and it will fight back. ‘Spoor’ strikes with all its might.
Films don’t often come around that change the landscape, but this is one of the rare few that could - a triumph in what can be achieved, even from the most humble of means.
‘That’s Not Me’ is a marvel of indie ingenuity, with dollops of charm and confident direction. Shot over nine months for $60k, this film looks and sounds like a million bucks.
This is the low-budget indie darling you hope and expect it to be, and will surely become an instant classic, all while showing off New Zealand’s wickedly dry sense of humour and originality.
This is Swedish director Gustav Möller's first feature film, but from the expert control of tone and shot composition, one would be forgiven for mistaking his career as a long and successful one.
While 'The Other Side Of Hope' is unapologetically moral and political in its message and agenda, it also comes across as a good piece of cinema with poetry all of its own.
Without dialogue to drive the narrative, the film relies upon its careful and considered visual storytelling, both beautifully simple and consistently daring.
'The Square' is a masterful piece of cinema, preposterously funny and endlessly strange, culminating in moments of genuine awe.
The film is a forgettable and uninspiring experience. There are flashes of something in there, but the result left me cold and frustrated.
This enjoyable and excellently made film ends with a sense of hope, and the feeling that Wadjda’s story is just beginning. It is a film about women, and one girl’s determination to follow her dreams.