SWITCH.
MEMBER SIGN IN
    
Keep up-to-date on your favourite artists and movies, track gig and release dates, and join in the conversation.

SEARCH RESULTS FOR
JOIN NOW.

Keep up to date with your favourite artists and new music with SWITCH. It's easy - just follow these steps:

1JOIN up - it's simple and free
 
2FOLLOW artists and films
 
3TRACK events on your personalised calendar
 
review, Nick Cave, Nick, Cave, cinema, cinema reviews, music, artist
REVIEW:

NICK CAVE


Still live and vital after 20,000 days

star, ratingstar, ratingstar, ratingstar, ratingstar, rating
By James Cerche, 20th December 2014
review, Nick Cave, Nick, Cave, cinema, cinema reviews, music, artist
SWITCH logoReview. 

NICK CAVE

|

STILL LIVE AND VITAL AFTER 20,000 DAYS

BAND: NICK CAVE AND THE BAD SEEDS
MEMBERS: NICK CAVE
WARREN ELLIS
MARTYN P. CASEY
THOMAS WYDLER
JIM SCLAVUNOS
BARRY ADAMSON
CONWAY SAVAGE
FORMED: 1983
FROM: MELBOURNE / BERLIN / LONDON
SOUND: ALTERNATIVE
WEBSITE: WWW.NICKCAVEANDTHEBADSEEDS.COM
FACEBOOK: NICKCAVEANDTHEBADSEEDS
TWITTER: @NICKCAVE
SWITCH logo
FAST FACTS.
James Cerche
By James Cerche, 20th December 2014
stars, ratingstars, ratingstars, ratingstars, ratingstars, rating
“Keep it evil,” mutters Nick Cave, before his band launch into a menacing rendition of ‘Jack The Ripper’. Saint Nick wrapped up an extensive “solo” homecoming tour at Melbourne’s Plenary with a slew of crowd favourites and a few surprises, utilising a pared-back group of Seeds and a big black piano to help do his dirty work. Nick Cave may be the finest musical and songwriter this country has ever produced, and tonight he proved - with the help of key collaborators - that he is still a potent force in a live setting.

Firstly, congratulations are in order to whoever designed The Plenary. Whilst it doesn’t posses a classic architectural charm, it is one hell of place to hear music played. The acoustics are stunning and the band were superbly mixed, allowing all the intricacies of each performance to shine in their due time and every breath of Nick’s vocals were not just heard, but felt by every single person in attendance.

The sensational backing group consisted the regular Bad Seeds rhythm section - Martyn Casey on bass, Barry Adamson on keys, Thomas Wydler on drums and Warren Ellis on everything else. Kicking off with the ominous bass loop of ‘We Real Cool’, one of many cuts from most 2013’s ‘Push The Sky Away’, Nick emerged and instantly immersed himself in the mass of seat-neglecting fans who had formed down the front. At once inclusive and accusatory, he points and jabs at the crowd, throwing a tall thin shadow across the walls of the venue. “You again,” he remarks mid-phrase, recognising a regular, before seeing the song through to its seductive otherwordly conclusion. From here Nick migrated through the many phases of his career. Taking a seat at the piano he accompanied himself through stunning solo renditions of ‘The Ship Song’ and ‘The Mercy Seat’, proving that strength in songwriting alone is powerful enough to manifest critical moments. However it was was with the rest of the band in play that the evening shone the brightest.

NICK CAVE & THE BAD SEEDS - WE NO WHO U R

Much like the full Bad Seeds experience, this squad of musicians is a fine group of players who perform with such agility that you are never sure where the live arrangements are going next. This is largely due to the fact that they themselves don’t even know. Cues are taken from the tall man up front who alone knows when he wants to whisper and when he wants to shout. Classic cuts like ‘Red Right Hand’ and ‘From Her To Eternity’ flitted from explosive vitriol to broken lament at a heartbeat's notice, and new catalogue additions ‘Jubilee Street’ and ‘Higgs Boson Blues’ have evolved and grown spectacularly since being recorded in the last two years. At one point Nick even snatched a harmonica from the crowd and played out the rest of ‘We Know Who U R’ in a way that no one saw coming, and the melodic ‘Mermaids’ was given a blistering new solo from Warren Ellis’ menagerie of noise-making devices. Almost rivalling St Nick himself for magnetic stage presence, drummer Thomas Wydler emerged as the night’s background hero, performing such incredible feats on his kit that he might have taught the cast of 'Whiplash' a thing or two.

Nick and co. provided an intimate, detailed performance to be cherished. It was a celebratory occasion championing music, legacy and immediate connection that can only be achieved through proximity between fans and performers. By the time the group closed with ‘Push The Sky Away’, everyone in attendance was in compliance with Nick’s assertion that “some people say it's just rock and roll, but it gets you right down to your soul.”

COMMENTS
TO LEAVE A COMMENT ON THIS ARTICLE, PLEASE SIGN IN AT THE TOP OF THE PAGE OR CLICK HERE TO JOIN.

© 2011 - 2017 midnightproductions | All rights reserved
© 2011 - 2017 midnightproductions
All rights reserved

Disclaimer | Contact Us