ATOMIC BLONDE

Charlize Theron leads a stellar cast in this action comedy spy romp. I use the word romp because it doesn’t feel like there is anything the film is really trying to say, but at the same time is extremely enjoyable, rather witty and visually stunning. Joined by James McEvoy and John Goodman, the acting work is hard to fault, the action is fast-paced and believable, and the line between truth and lies is finely tread and masterfully disguised.

Is it just me, or is 80s visual style defined by pink and blue neon? Like that episode of 'Black Mirror' and even the 'Thor: Ragnarok' trailer. It’s low-tech 'Tron' and I love it. More power-clashing of pink and blue! Being based on a graphic novel series, it's no wonder that the film is so stylised and stylistically on point. The use of the 80s soundtrack was also wonderful; I know it is something we have been seeing a lot of lately (think 'Black Mirror' and 'The Handmaids Tale') but what I really liked about the use of music in ‘Atomic Blonde’ was the transition in and out of diegetic sound. It grounded the ridiculous reality but also added to the dramatic pace of the overall product.

Let’s be honest – you play ‘99 Luftbaloons’ and I will be happy regardless of the situation.

While ‘Atomic Blonde’ really had me following along for the most part, I feel like it was let down somewhat by its ending. Not that the conclusion was bad, but just that it had the potential to be so much more. Like a three-minute song where the last 45 seconds are just the chorus repeated, it needs to go somewhere and remind us all of why we were interested in the first place.

'Atomic Blonde’ is slick, fun and gripping spy movie that will have you going along for the ride. Superbly acted, with a wonderful accompanying soundtrack, you’ll find yourself wishing you had been around in the 80s for more than just three days... or maybe that’s just me.