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review, Lawless, Lawless, film, movie, latest movies, new movie, movie ratings, current movie reviews, latest films, recent movies, current movies, movie critics, new movie reviews, latest movie reviews, latest movies out, the latest movies, review film, latest cinema releases, Australian reviews, cinema, cinema reviews, Tom Hardy, Guy Pearce, Shia Labeouf, Jessica Chastain, Mia Wasikowska, Gary Oldman, Dane Dehaan, Noah Taylor, Jason Clarke, Lew Temple, John Hillcoat film rating
REVIEW:

LAWLESS


Subdued film with strong performances

star, ratingstar, ratingstar, rating
By Jack Richardson, 10th October 2012
review, Lawless, Lawless, film, movie, latest movies, new movie, movie ratings, current movie reviews, latest films, recent movies, current movies, movie critics, new movie reviews, latest movie reviews, latest movies out, the latest movies, review film, latest cinema releases, Australian reviews, cinema, cinema reviews, Tom Hardy, Guy Pearce, Shia Labeouf, Jessica Chastain, Mia Wasikowska, Gary Oldman, Dane Dehaan, Noah Taylor, Jason Clarke, Lew Temple, John Hillcoat
SWITCH logoReview. 

LAWLESS

|

SUBDUED FILM WITH STRONG PERFORMANCES

film rating

RELEASE DATE: 11/10/2012
RUN TIME: 1HR 56MIN
CAST: TOM HARDY
GUY PEARCE
SHIA LABEOUF
JESSICA CHASTAIN
MIA WASIKOWSKA
GARY OLDMAN
DANE DEHAAN
NOAH TAYLOR
JASON CLARKE
LEW TEMPLE
DIRECTOR: JOHN HILLCOAT
WRITER: NICK CAVE
PRODUCERS: MICHAEL BENAROYA
MEGAN ELLISON
LUCY FISHER
DOUG WICK
WEBSITE: WWW.LAWLESS-FILM.COM
TWITTER: @LAWLESSFILM
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FAST FACTS.
Jack Richardson
By Jack Richardson, 10th October 2012
stars, ratingstars, ratingstars, rating
Like "cowboys and Indians", the fundamental clash of "cops and robbers" has long fascinated the world of cinema. Hollywood, in particular, found them particularly appealing – the dark and daring exploits of ‘Little Caesar’ and ‘The Public Enemy’ (stand-ins for real life figures like Al Capone and John Dillinger) devoured by an audience hungry for blood and escapist thrills. Despite the grimness of the Depression, the line between outlaw and celebrity was blurred by the gangster genre flicks, and cinema – like comic books and pulp novels – would never be the same again.

‘Lawless’, set in Virginia, 1931, acts as an untold counterpoint to the better-known exploits of other Depression-era figures. With Bonnie and Clyde’s doomed crime spree, Al Capone’s tax-evasion conviction, and John Dillinger’s fateful cinema screening a handful of years in the future, the film focuses on the story of the Bondurant brothers: three good ’ole country boys (played by Shia LaBeouf, Tom Hardy, and Jason Clarke) who monopolised the Franklin racketeering business and made a fortune hawking moonshine. But like all good plans gone bad, their success does not go unnoticed, and soon the boys find themselves between other ‘lawless’ men, all looking to claim a slice of the moonshine pie.

LAWLESS - TRAILER

‘Lawless’ is the latest collaboration between Australian director John Hillcoat and songwriter/scribe Nick Cave, and while it lacks the visceral virtuosity of ‘The Proposition’ or the relentless visual horror of Hillcoat’s previous film, ‘The Road’, it nonetheless retains hallmarks of both men: moments of brutal, bloody violence; an examination of inarticulate masculinity; and a fascination with the power and creation of myth. Like his outback-set Western, Hillcoat finds moments of identification in the hot summers and parched fields of Virginia, helped in no small part by the number of Australian faces (Guy Pearce, Jason Clarke, Noah Taylor, and Mia Wasikowska among them) that pop up at frequent intervals.

Visually, the film is flat and indistinct, with muted colours that give it a televisual appearance. Oftentimes, the frank framing and workmanlike camera movements make the film feel like a condensed, rural-themed episode of ‘Boardwalk Empire’, and while the costumes and cars are lovingly rendered in perfect period detail, the approach feels cinematically underwhelming. Nick Cave’s script, too, feels pared back and thin, lacking the dark poetry and style of ‘The Proposition’. Based on a mostly non-fiction book by Matt Bondurant (grandson of Jack Bondurant), Cave struggles to find a tone and narrative drive for the material, and its shortcomings are best chalked up to his inexperience with adaptation. This lack of snap and crackle also bolsters the made-for-TV vibe.

Shia LaBeouf's transformation from boy to man is energetic and engaging.

While the vision of both director and writer may be unexpectedly subdued, it does leave space for some surprisingly bold performances. Shia LaBeouf, usually known as ‘Transformers’ cannon fodder, is surprisingly competent as Jack Bondurant, the more reluctant of the bootlegging brothers. His transformation from boy to man is energetic and engaging. Tom Hardy gets to act with his whole face this time around, and while no less verbally challenged than Bane, uses his lack of perspicacity to charming effect. Guy Pearce ramps up the eccentric camp as a sadistic corrupt lawman, while Gary Oldman gets to return to his nefarious ways in an extended cameo as real-life gangster, Floyd Banner. Meanwhile, Jessica Chastain and Mia Wasikowska are luminous in the truest Hollywood sense, both impeccably dressed and tailored in sumptuous period detail.

While proving a dramatic departure in style and tone for both writer and director, ‘Lawless’ succeeds in fostering strong performances from an eclectic ensemble cast, and punctuating its unconventional true-crime story with moments of genuine reflection and sudden violence. More so than in previous films, Hillcoat and Cave find the fun in their subjects, and together add an entertaining, if minor, entry to the cinema canon of the Great American Gangster flick.

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EleanorB on 30 December 1899 at 12:00 AM
Great review! I would have to agree about the Boardwalk Empire comment - whether it's simply because of the subject matter, or perhaps the visual similarities, I really felt that Lawless was like a best-of clip show for the series. However, I did love the relationship between Jessica Chastain and Tom Hardy. I felt the film would have been much stronger had it chosen to make those two the centre of the film rather than LaBeouf.
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