Get excited for this year's Melbourne International Film Festival! With a huge range of films and other events taking over Melbourne, film lovers and cinema goers will find something to whet their appetite.
Take a look through SWITCH's reviews and start putting together your must-see list! We'll be updating this page daily as new reviews come to hand, so check back throughout the festival for new reviews.
What starts as a nostalgic look back at a joyous time and place that transformed lives and a humble beach quickly becomes a sad tale of racism.
It’s a particularly twisted film, growing from a defenceless wolf cub into a vicious, vengeant creature. Back an animal in a corner, and it will fight back. ‘Spoor’ strikes with all its might.
For a film that exists inside such a small setting, 'Insyriated' is a big film. As disturbing as it may be, it's remarkably powerful and a strong piece of work from director/writer Philippe Van Leeuw.
For viewers and those inspired by Strzeminski and Wadja's work, this film serves as a lasting afterimage of their artistic legacy.
‘Liberation Day’ is a revelatory experience, a truly captivating documentary about a part of our world rarely seen, and the Westerners who tried to bring in a touch of nonconformity.
Despite the hardship, the team persevere with their goals, and it’s hard not to want them to succeed. By the end, you’ll be rooting for them too - and amazed at the impossible zoo they have forged.
As Donald Trump is wont to say, "America does not like losers," and Walker mines comedy gold with ‘PACmen’ by illustrating why Ben Carson was exactly that.
It’s so beautifully nuanced and performed that it’s not until you leave the cinema with a huge grin on your face that the film’s layers start to reveal themselves in the most warming way.
The best thing here is Danielle Macdonald, who has the presence and charisma to pull off her white female rapper character. Still, the formulaic material has been executed more impressively.
A fine example of a political satire. Its black humour comes with meaningful messages, and sheds light on issues which trouble India. For a positive reaction, ‘Newton’ is definitely a winning formula.
'Pop Aye' offers a glimpse inside the true Thailand, with an endearing story about a man and his elephant trying to find their place in the world.
There's a great warmth to the film, with the animation splashed with bright colours and a wealth of humour. 'Phantom Boy' will give you shivers, but in the best possible way.
‘78/52’ starts out by looking at the climate that produced ‘Psycho’, Hitchcock’s motivation for making it, and continues until it reaches those iconic few minutes that changed the course of cinema.
‘That’s Not Me’ is a marvel of indie ingenuity, with dollops of charm and confident direction. Shot over nine months for $60k, this film looks and sounds like a million bucks.
‘Spookers’ interweaves a lot of different stories into one entertaining piece, but it’s not the horror that truly fascinates - it’s the people.
'Blade of the Immortal' is a thrilling, complex and hugely fun action film. If this is the standard of Takashi Miike 100 films into his career as a director, I hope he gets to make 100 more.
This improvised film is clearly the workings of an actor trying to separate himself from his career in front of the camera. 'Ellipsis' has its charms, but is neither original nor the best of its kind.
This film exists simply to cash-in on James Gunn’s current success via one of his old, discarded ideas. Unoriginal and rather boring, the script should have remained lodged beneath Gunn’s couch.
‘The Void’ is an impressive production not just for an indie film, but for a modern horror movie in a category crowded with high-budget slop.
It’s hard not to be charmed by ‘Maudie’. Sally Hawkins is radiant as Maud, and her work in this film will hopefully continue to build her reputation. Aisling Walsh has crafted a gem with this film.
'God's Own Country' is a miracle of a film, a quiet masterpiece that holds you enraptured from beginning to end by its beauty and its humanity.
Though the cast is charismatic and eager, and the story is astonishing, this is a disappointingly limp affair. While it tells the tale with clarity, it forgets to be a film in the process.
Luca Guadagnino has made a film of enormous humanity, a statement on the nature of love that sends shockwaves through you, especially with the powerhouse performance from Timothée Chalamet.
It is exhausting and exhilarating in equal measure, but the underlying humanism of the Safdies’ dark and unflinching world view means that buried underneathis a jittery, frantically beating heart.
While ‘Revolution of Sound. Tangerine Dream’ is less engaging than it could have been, it is still fascinating viewing, particularly for film and music buffs.
Some mild touches of fantasy contribute to a mood of dreamy melancholy in this quirky, bittersweet and rather beautiful urban comedy.
‘A Life in Waves’ continues Whitcomb’s admirable quest to shine a light on the untold stories of inspirational women who blazed a trail. This is an essential documentary for fans of electronic music.
It's an overwhelming experience that's remarkable, nuanced and elegant. This is film as both art and entertainment melded together, fascinating and unparalleled in its story and storytelling methods.
Priscilla Cameron has crafted an emotional, stylised and slightly fantastical story about three people's relationship with love, loss and each other.
'The Square' is a masterful piece of cinema, preposterously funny and endlessly strange, culminating in moments of genuine awe.
This is another indulgently outlandish offering from a director unafraid to cross lines and toy with taboos. The film is slick, smart and self-assured - the best kind of barbarous cinema.
Reinforcing the ability of art and artists to form connections and provide windows into the lives of people who are just like us, and also not at all, this is a moving tribute to the act of creation.
There were moments that took my breath away, images that spoke very deeply to our connection with the natural world. This is the chance to celebrate Terrence Malick's skill as a visual storyteller.
This puzzle-box doesn't make it easy for you, and like many of Michael Haneke's films, your response will likely be complex. He wants you to be provoked, pushed and bamboozled by it.
While the film doesn’t reinvent the wheel, if you are seeking a simple story that is elegantly told, imminently watchable, and may require a box of tissues to catch some excess eye moisture.
A few unanswered questions aside, ‘Tokyo Idols’ is a very strange, amusing, and uncomfortable look into a particularly odd facet of modern Japanese culture.
Katabuchi’s previous anime films are better known in the West among anime nerds - but the incredibly moving and sobering ‘In This Corner of the World’ should be the film to change that.
As amazing as everything looks and sounds, ‘The Challenge’ is quite boring. Most scenes are long and dreamy, but they also tend to be repetitive and boy, do they drag on.
‘The Ornithologist’ is about losing yourself in the wild, only to find yourself. Venturing down twisting pathways, it drags us on a preposterous adventure through the darkest parts of the mind.